A large project, making playful globe scenes for global recycling company Renewi. Running as both animations and static scenes, we created four of globes, each illustrating a key aspect of Renewi’s business, along with a variety of detail images.
The resulting package of content serves as a key part of Renewi’s visual identity, running across all their print, web and video content.
Working across both print and animation, we brought Samsung’s ‘oasis’ concept to life, making fluid, glass-like forms glide and twist their way through a variety of scenes.
This head shot was the central shot for the project, from which the flowing Oasis was developed into its finished state.
We were delighted to be tasked with creating this animated and print ident for Oprah’s Favourite Things for the Oprah Winfrey Network. running across print web and social, it is the visual identity of the Favorite Things campaing for the season.
Michelangelo’s David with retail retina scans. CGI animations and illustrations for AdAge magazine.
Working across both print and animation, we brought Samsung’s ‘oasis’ concept to life, making fluid, glass-like forms glide and twist their way through a variety of scenes.
This home scene was one of a variety of locations where we integrated our CGI ‘Oasis’ into motion footage.
With the Oasis being highly refractive and reflective, we built a full CGI scene for the oasis to enhabit, to ensure reflections of its environment offered seamless realism.
CGI illustration for the cover of Hilton Club Traveler Magazine Summer 2020
personal project
experimentations exploring the use of neon tubs to interpret 8bit pixel imagery.
a cgi animation test piece for jelly behaviour and material.
personal project
personal work exploring the use of neon assemblies driven by 8bit pixel animations
some cgi goodness to wish you a merry christmas from the hitandrun creative studio!
personal project
exploring structural transformations in typography
Working across both print and animation, we brought Samsung’s ‘oasis’ concept to life, making fluid, glass-like forms glide and twist their way through a variety of scenes.
This office scene was one of a variety of locations where we integrated our CGI ‘Oasis’ into motion footage.
With the Oasis being highly refractive and reflective, we built a full CGI scene for the oasis to enhabit, to ensure reflections of its environment offered seamless realism.
this cgi illustration for the cover of British Airway’s Business Life magazine included the fantastic opportunity to make an animated version for their digital edition.
we were asked by Marshall Amplifiers to make a funny promotional animation for the launch of their new amp-styled fridge.
we provided the entire workflow, navigating the character design, modelling, animation, compositing, sound edit and video edit.
client: Marshall Amplifiers
art direction: David Donaghy
personal work
a test cgi ‘pixel’ of neon tube
print and animated versions of our 'end of the world' cover for Wired UK.
client: Wired UK
personal project
exploring cgi neon arrangements driven by 8bit animations
personal work
anatomical study in lightboxes.
an animated showcase of the Red Paddle Co’s revolutionary inflatable compact paddle board. the cgi board needed to be photo real, yet also have a wide range of folding, rolling and inflating qualities, making for a challenging but rewarding build.
an animation and accompanying print edition illustration for the Financial Times' Watches and jewellery special report.
showing the evolution of world cities/regions used to identify world time zones on luxury timepieces.
client: Financial Times
personal work
detail of cgi lightboxes, exploring the physical construction of animated 8bit images
CGI animation of the AMG suite at Mercedes Benz World.
follow link to vimeo site for HD version.
client: Mercedes-Benz
how twitter killed the water cooler moment. gif animation and print illustration for the Financial Times Executive Appointments pages.
the accompanying illustration ran in the print editions.
client: Financial Times
CGI walkthrough animation of the moss/campbell suite at Mercedes-Benz World, UK
part of an ongoing series of animations showcasing MBW's conference and meeting spaces
client: Mercedes-Benz
the global economy hangover. gif animation and print illustration for the Financial Times Special Report.
the accompanying illustration ran in the print editions.
client: Financial Times
CGI walkthrough animation of the theatre suite at Mercedes-Benz World, UK
part of an ongoing series of animations showcasing MBW's conference and meeting spaces
client: Mercedes-Benz
lego engineering for the Financial Times Special Report on Engineering the Future.
The accompanying ilustration ran in the print editions.
Client: Financial Times
CGI walkthrough animation of the main exhibition floor at Mercedes-Benz World, UK
part of an ongoing series of animations showcasing MBW's conference and meeting spaces
client: Mercedes-Benz
A gif animation for the Financial Times Global Brands Special Report. The accompanying jpg version ran in their print edition.
Client: Financial Times
CGI walkthrough animation of the s-class suite at Mercedes-Benz World, UK
part of an ongoing series of animations showcasing MBW's conference and meeting spaces
client: Mercedes-Benz
animation and accompanying illustration for the Financial Times special report on the 2016 G7 summit in Japan.
art director: Steve Bird
client: Financial Times
a gif animation for the Financial Times Special Report on massive open online courses (moocs)
The accompanying illustration ran in the print editions.
Client: Financial Times
artificial light gif animation for the Financial Times 2013 Special Report on global brands.
the accompanying illustration ran in the print editions.
client: Financial Times
originally a test piece for a client exploring the possibility of a 3D portrait which never got off the ground, this revolving head remains a personal project for now. what we do know.... it works :)
gif animation and accompanying print version for the Financial Times special report on online learning.
client: Financial Times
